Archive for September, 2009

Essay: Mary Guterson

Wednesday, September 30th, 2009

Mary Guterson, appears Saturday, October 10th at 1 P.M. on the Wieden+Kennedy Stage, and then at 4 P.M. the same day as part of the panel discussing “Writing Communities.”

When people ask me what kind of books I write, I never know what to say. I’ve published two novels and they both have female protagonists dealing with life’s problems—including problems in their love lives. So, “chick lit” works as a description, I suppose. So does “women’s fiction.” Then again, I definitely have male readers. For awhile, I called my work “romantic comedy.” Recently, I’ve shortened it. I say: “I write comedies.”

I once read a quote from Nick Hornby, where he said that when he writes he’s always striving for that balance between funny and sad. That’s what I strive for, too—although Nick Hornby is brilliant and accomplished at it and I am only a hopeful beginner. Still, it’s what I work toward and I think it’s the right goal for me. I’m happy to have that goal.

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Essay: R.A. Salvatore

Wednesday, September 30th, 2009

R.A. Salvatore, author of The Ghost King, will speak on Saturday, October 10, at 5 P.M., along with his editor, Phil Athans, on Powell’s City of Books Stage.

R.A. SalvatoreSo now I’m back to work on Drizzt Do’Urden, my dark elf character who has been a friend and companion for 22 years and through more than a score of novels. Any thoughts of putting this guy on autopilot were thrashed with the current release, The Ghost King, because I pretty much turned his world upside down. Well, to be fair, it wasn’t just me who did that. I write Drizzt in a shared world, Wizards of the Coast’s “Forgotten Realms,” and as occasionally happens in such a setting, big things change and timelines advance. So, too, must Drizzt.

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Essay: Naseem Rakha

Wednesday, September 30th, 2009

Naseem Rakha, author of The Crying Tree, appears Saturday October 10th at 4 P.M. on the Wieden+Kennedy Stage, and Sunday at 3 P.M. on the panel “My First Book.”

The Stuff of Story

I watched Serena Williams’ tantrum on TV the other week. You know, the now infamous moment when during a crucial point during the US Open Semi-final against Kim Clijsters, a female line judge called a foot-fault on Williams, and all hell broke loose. My husband, son and I crept closer to the television as Williams turned and strutted toward the judge, shaking the tennis ball.

“No,” I said. “Don’t do this, Serena. Don’t go there.”

But she did go there, letting the demons fly, she told the beaver-shaped woman just where she was going to shove the chartreuse-colored tennis ball. The judge reported the verbal assault and within moments, the number-one-ranked player in the world was ousted from the match, struck down by the speed, velocity, and venom of her own words.

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Essay: Bill Thorness

Wednesday, September 30th, 2009

Bill Thorness, author of Edible Heirlooms, appears on the Wieden+Kennedy Stage on Saturday October 10th, at 3 P.M. with Landgon Cook. 

Book cover web

Even Veggies Tell a Story

Earlier this summer I stood in the center of my main vegetable garden – a 15-by-20 foot raised bed in the front yard of my Seattle house — and I realized that, in each direction, I was growing a plant with a history.

To my right was Dwarf Grey Sugar peas – a variety with a very unappetizing name and yet one that has been a favorite since Colonists brought them from England in the 1700s. In front of me, the Jimmy Nardello’s Italian Sweet peppers were just starting to curl into their distinctive, knobby J shape. That variety was named for the Italian immigrant who brought it with him to the Boston area.

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Jeff Anderson: Why Grammar Matters

Wednesday, September 30th, 2009

Jeff Anderson runs the Wordstock for Teachers workshop on Friday, October 9 (8 a.m.-4 p.m. at the Ambridge Event Center, 1333 NE MLK Blvd). He is author of Mechanically Inclined.

Nothing is shocking about my subject line—there are many who tout the importance of grammar, the importance of being correct and proper. And, while I don’t disagree with the fact that correctness matters, I don’t think this is the only reason—or even the most important reason—grammar matters. Grammar is a tool for expression, a way to embed detail and life and style in our writing. I want my students (and the teachers I work with) to know the power of grammatical patterns, the power they give writers to express themselves. Frankly, it’s not an endless list.

Start small, go deep, and students will know what they need to know. By knowing a few patterns of power (like a compound sentence or a serial comma), young writers can begin to find their voice, to find the power of their very own words. I think our obsession with correctness does grammar a disservice. My work has been about looking again at grammar instruction and how we can do it so that it makes sense for students, so they can actually use it, so they are not running away from it, afraid.

When we stop clamoring about not ending a sentence with a preposition or starting a sentence with “but” and focus on patterns that actually help students express the power of their words with clarity and grace, we are going a long way toward showing them that grammar is a creational facility rather than a correctional one. I hope you bring your voice and your open mind to Wordstock.

Essay: William C. Pack

Tuesday, September 29th, 2009

William C. Pack, author of The Bottom of the Sky, appears on the McMenamins Stage Saturday, October 10th at 5 P.M.

In the Montana coal and cattle town near where I started school, there was no kindergarten.  We had no books in the house.  So when I entered first grade I could not draw the alphabet. In time I read, but slowly at first.  Then someone, my parents or grandparents, bought a set of encyclopedias on time. I read them over and over. (This vignette has been adopted into the collective and individual memories of most everyone over 45 … many of us also went to school with someone who was an alternate to the Olympics, but at least one in every household claims this encyclopedia thing.)  By the time I turned 12, I was an average reader and a good student. That was the year I filed my first tax return, which has no direct bearing on this story. Anyway, if I was to give credit to anyone for getting me interested in writing, I suppose credit is due my junior high school English teachers.  One was Jewish, I remember, and one I was in love with.  It was a passionate time.  Junior high is the oldest memory I have of wanting to be an author – specifically a novelist. But poverty persisted as a time management problem.

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Essay: Laurie Sandell

Tuesday, September 29th, 2009

Sandell Author Photo 2

Laurie Sandell wrote THE IMPOSTOR’S DAUGHTER: A  TRUE MEMOIR and will appear at Wordstock on Saturday, October 10th on the University of Oregon Nonfiction stage at 1 P.M with Josh Neufeld and then at 3 P.M. as part of a panel entitled Truth and Story. She is also teaching a class entitled How To Become a Successful Freelance Writer: The Business of Freelancing, at 10:30 A.M. on Saturday October 10th.

Hello, Wordstock-goers,

I’m excited to participate in my very first Wordstock event, especially since I now have an excuse to come back to Portland. I first lived there two years ago, when I decided I needed to leave New York to finish my book, and picked Portland by more or less throwing a dart at a map. I spent two months working on my book in various coffee shops: Stumptown Coffee at The Ace Hotel, Urban Grind, The Nob Hill Old Pharmacy Café (which I was bummed to find had been transformed into a pool hall the last time I stopped by to write). I got to know some incredible people, like Craig Thompson, the author of Blankets, and Blake Nelson, the author of Destroy All Cars. I also discovered I am about 70% hotter in Portland (who knew?). I got asked out way more than I ever did in New York. Or maybe the men here are just less commitment-phobic, you tell me.

But back to the reason I’m participating in Wordstock. In July, Little Brown published my graphic memoir and debut book, The Impostor’s Daughter. The book grew out of an article I wrote for Esquire in 2003 [“My Father, the Fraud.”] I’d set out to profile my eccentric, mercurial, Argentine father, and ended up exposing him as a complete and utter fraud. Even though I wrote the article anonymously, it turned my life—not to mention my family’s—upside-down, and I am still experiencing the fallout from that. However, life is better in every possible way since I uncovered and came to accept the truth.

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Essay/Interview: Amy Minato

Tuesday, September 29th, 2009

 Amy Minato, author of Siesta Lane, speaks on Sunday, October 11, at 1 P.M. on the Beyond Words Stage.

Amy Minato--blog versionMy writing process is to stretch out on my bed with pillows everywhere, a cat purring on my back, clutching a bowl of snacks (snacks are key) in one hand and a pen in the other. Lying down tricks my subconscious into thinking I’m asleep, which coaxes it to wander the dark hallways of my mind until part of it stumbles out onto the paper. I do this for hours, not even getting up to stretch or answer the phone (woe to anyone who knocks on my door during the voodoo-writing time) and usually rushing late to pick up my kids with a weird glaze to my face, muttering nonsense.

My current book began as a diary during the time I lived on Siesta Lane. I wanted an intentional journal of my experiment in simple living, a chronicle where I could digest my day. The inspiration for my experiment was a combination of wanting to live a more ethical life and the desire to save my soul from our consumptive society.

What jazzed me was learning about the natural world, observing the different folks in the community and the resonances between both worlds.

It took awhile for readers to be interested in voluntary simplicity. Now we all have involuntary simplicity because of the economy. Also, increasing awareness of global warming has folks accepting more environmental lifestyle changes.

The book is set outside Eugene. I now live in Multnomah Village near Gabriel Park. It’s the closest I could get to a rural community in the city. We see coyotes here sometimes!

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Essay: Dale Basye

Tuesday, September 29th, 2009

Dale Basye (Author of Heck: Where the Bad Kids Go and Rapacia: The Second Circle of Heck) appears Saturday, October 11th at 3 P.M. on the Target Children’s Stage.

The History of Electrical Engineering in Maritime Vessels

Writing is like sticking your finger down your throat on an empty stomach: every morning (first draft). It’s like having an emotional root canal while piranhas make a summer home of your urethra (second draft). It’s like finding a severed finger on the shoulder of I-5, just before the Woodburn exit (Exit 271) on a Friday night in November, only to discover that the finger is actually still attached—a trick of the gravel—and that the victim has traces of white greasepaint about the ears (third draft, page 57, fourth paragraph).

When the act of writing is at its pernicious worst, I try desperately to gain some perspective by imagining that I could be, instead, cleaning out bedpans, toiling in a coal mine, or making solicitation calls (like I did right out of college). But, after doing so, I sink deeper into my tar pit of pity: after all, a candy striper—after administering a barium enema—doesn’t have her handiwork savaged on Amazon by some idiot named ReedM&weep@aol.com.

Sometimes all of the planets are aligned and writing can be enjoyable and perhaps even productive, akin to cracking open a piñata and feasting on the candy (unfortunately for this metaphor, the piñata is one’s head). And—these wondrous, fleeting moments of inspirational twinkle—make all of the slogging, procrastinating, doubting, and palpitating primal fear worth it.

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Essay: Laura Whitcomb

Tuesday, September 29th, 2009

Laura Whitcomb appears Saturday October 10th at 2:00 p.m. on the Target Children’s Stage.

How I broke in . . .

After I had a good (rewritten) draft of the ghost story A CERTAIN SLANT OF LIGHT (my first published novel) in my hands, and was looking for representation, I wanted to be smart about the next step. I’d had over a year of disappointment with a bad agent. Now I wanted a good one.

First I read Donald Maass’s book THE CAREER NOVELIST to figure out what kind of agent I wanted. I decided on a NY-based, medium-sized agency (with an excellent track record), and an agent who was a career-builder rather than a trend-setter. I wanted to know my agent could have lunch with NY editors, that she had clout but was not too busy to give me the necessary attention, and that she was interested in my future, not just making money off one project.

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